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The bx_stereomaker adjusted the stereo image of the acoustic guitar, resulting in it leaning slightly to the right – this was rectified using the tilt control. The mono control is brilliant at retaining mono signals, imparting less audible frequencies in the stereo image I found that 80Hz is a good starting frequency. I didn’t utilise the mono control on the acoustic guitar as I had removed unwanted bass frequencies during mixdown, instead I trialed it on a completed mono mix. Although great, too high a percentage decreased the stereo expansion effect – I found a common ground between 25% and 30% for the acoustic guitar. The hi-damp control rolls off the spatial effect above 5kHz, this added a small amount of warmth and attenuated the ‘tinny’ sound introduced by the stereo expansion. In addition to the tone control, the hi-damp control allows the user to further manipulate the frequency content. The tone control complemented the stereo expansion well, it would have been far too easy to settle on an expansion percentage and consider the process complete. The bx_stereomaker slices the source signals spectral energy, allowing the user to manipulate the pseudo-spatiality frequency content and ensure mono compatibility.
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I manipulated the tone parameter until I found a frequency that complimented the acoustic guitar’s timbre - somewhere between 750Hz and 1100Hz. I also checked for mono compatibility and there were no audible anomalies as a result of the stereo expansion. Inserting the plugin automatically set the stereo expansion to 100%, which immediately improved the stereo spread – having played with the expansion parameter, I found that too high a percentage resulted in an out of phase effect. It is worth noting that it is not a spreader for stereo mixes.Ī current pop mix that I had been working on had a mono acoustic guitar that, although sounded great, needed something extra for it to blend into the mix. The bx_stereomaker uses analog style filters, employing Brainworx’s M/S algorithms, resulting in tight and wide mono mixes. Plugin Alliance markets the bx_stereomaker as a “frequency optimised M/S up-mixing plugin that quickly converts mono signals to stereoâ€. This past month the kind people at Plugin Alliance made the bx_stereomaker available for just $19 – I thought it would be rude to not to take advantage of such a good offer! When conventional time based processing doesn’t quite cut it, could the Brainworx bx_stereomaker be the answer? On occasion, I get a mono signal that just doesn’t sit right in the mix, and I long for a way to add space and width. bx_control & bx_digital both have the MONO MAKER on board - this tool will be able to get rid off these phase problems with its UNIQUE way of mono-ing out your stereo signals / mixes ONLY IN THE BASS FREQUENCIES - MONO MAKER is the solution - unless you really over-do the settings.Add pseudo-spatiality and width to your mono signals with the excellent Brainworx bx_stereomaker M/S up-mixing plugin. > Using the STEREO WIDTH CONTROL too heavily may lead to phase problems. Do try it out on subgroups (makes ROCK GUITAR subgroups jump out of your speakers at about 150% !!!), FX returns, keyboards / samplers, etc. This is very helpful when working in M/S modes (because especially listening to only the S-signal of a stereo mix is not so easy to do with modern DAW stations) and to check your signals / mixes for errors, noises, clicks, whatever.īx_solo also contains a STEPPED M/S STEREO WIDTH CONTROL, so you can get an impression about what you can actually do with ist. L(left channel), R(ight channel), M(ono sum) & S(tereo difference signal) - and all this PHASE CORRECTED (when needed) and mono-ed out on BOTH SPEAKERS of your system. The "heart" of our M/S tools are our unique SOLO BUTTONS that allow you to actually LISTEN to all components of a stereo mix / stereo signal individually: Bx_solo is a nice little tool that we have designed to get you STARTED with and used to the way we approach the M/S technique - be it for recording-, mixing- or mastering purposes.